Plays

A woman who looks like my mother/ Sees a man who looks like me/ They pass each other without turning around/ Mistakes are miraculous and simple as life and death/as the arithmetic book of a small child/…An afternoon wind blows, as if asking: what did you do/ What did you talk about          -Yehuda Amichai

Simple as Life and Death

A new play by Meirav Kupperberg and Alexandra Zelman-Doring

Directed by Keren Tzur

Production assistant Alexandra Zajaczkowski

Set design Keren Tzur

Dramaturgy Eran Shadar

Lighting Design Alejandro Fajardo Arbelaez

Video by Roan Bibby

Music Editor Erez Todres

Photo by Liora Tzur

August 17-24 at Theater for the New City

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About the artists:

Keren Tzur (director) is a two time best actress academy award winner in Israel (for Madlen, in “The Clearing” by Helen Edmondson, and for Anda in “Anda” by award winner playwriter Hillel Mittelpunket). She is considered one of the leading actresses in the Israeli Theater, and was chosen in 2008 by the Israel Cultural Excellence Foundation.  She won an award for directing the play “Missing Beat” by Liora Carmeli, in the “Open Stage” festival in Beit Lessin Theater of Tel aviv, Israel. This show was also chosen as the “audience favorite”. Keren has recently directed “Fen” by Caryl Churchil at the Haifa University acting school, where from she herself is a graduate. Keren is also a BA graduate from Haifa University, Israel, in Political Science and communications.

Meirav Kupperberg (writer/performer) is an actor and writer based in Tel Aviv. She has lead an international career, working and performing to critical acclaim in Europe and the US. Recent film credits include Hunting Elephants as Simona (2013) directed by Reshef Levi, staring Patrick Stewart and Moni Moshonov, Plain Clothes as Aia (2013) directed by Jessica HabieRecent theater credits include: Peep, written by Meirav with Eran Shadar, directed by Eran Shadar, premiered at Stage Center’s One Man Show Festival in 2012, and is currently showing at Hasimta Theater, in Jaffa. Educated at Haifa University, where she graduated with honors, Meirav won scholarships from the Yehushua Rabinovich foundation to work on her show Peep, and American-Israeli cultural foundation award to study with Peter Brook.

Alexandra Zelman-Doring is a recent winner of the 2013 Financial Times/Bodley Head essay prize. The writer studied at Brown University, and holds an MFA from Columbia University. Her poems/texts have been set to music by composers such as Andile Khumalo and Jiří Kadeřábek; with David Adamcyk she created ‘Cheval mémoire,’ 2011, for solo piano, electronics, and sound installation. She is the author of numerous plays including “To Hold an Apple” (59E59th Street’s East to Edinburgh, 2011) and “Act Before You Speak,” (Flea Theater, 2012). As a performer, she trained at and Michael Howard studios with Polina Klimovitskaya.  She is a co-founder of Throes Theater

Halfway through the Story of Our Life

 

ACCESS THEATER (380 Broadway, 4th floor) - MAY 15  - JUNE 8

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Also: DIXON PLACE - JUNE 12, 10PM

Read some reviews of the show:

NEW YORK ARTS 

NEW YORK THEATER REVIEW

TIMES SQUARE CHRONICLES 

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Three actors, three musicians, three composers. A dark comedy inspired by Spalding Gray.

Three actors, three composers, and three musicians come together to wade through the inferno.“Halfway through the Story of Our Life” brings together an award-winning team of composers, actors and musicians to divulge a truthful, raw, explosive tale. Written by 2013 Financial Times/Bodley Head Prize Winner Alexandra Zelman-Doring with Benedita Pereira and Emma Meltzer, this comedy inspired by Spalding Gray brings together an international team from the US, Czech Republic, Portugal, Turkey, Serbia, Israel, and South Africa.

Featuring live performance of original music by renowned group of Drama Desk Awards-nominated composers Ana Milosavljevic (praised by The New York Times for her “inventive” and “graceful” works) Jiri Kaderabek (whose work the New York Times praised as “commenting acoustically on mass-media banality and whitewashed anguish”) and Mahir Cetiz (Cetiz’s works have been commissioned and played by orchestras such as BBC Philharmonic and the New York Philharmonic), music and musician meet text and actor in this truly unique collaboration.

Musical director: Mahir Cetiz

Featuring Benedita Pereira, Emma Meltzer, Alexandra Zelman-Doring, Naum Goldenstein (Clarinet) Marc Uys (Violin) and Mahir Cetiz (Piano)

Set design by Dan Spielman with stool by Jeff Landman

Lighting design by Alejandro Fajardo

 

ACT BEFORE YOU SPEAK

abys table web
abys shout web
ABYS books web

“A lovely little darkling rite – half dance, half pantomime – that reimplants the Melancholy Dane in what the gender studies crowd refers to as ‘female space’, but what off-Broadway connoisseurs simply call Black Box heaven.” Scott Brown, New York Magazine

The Tragical History of Hamlet, Prince of Denmark
By William Shakespeare & A.S. Zelman-Doring
In collaboration with Ada Gafter-O’Higgins & Jeffrey Landman

A translation of Hamlet into the aphasiac intensity of grief, love, revenge and madness.
For two women and a violin.

Original score composed by Jiří Kadeřábek, Mahir Çetiz, and Ana Milosavljevic
Directed by Hedvig Claesson

First performed at the Burton Taylor Theater in Oxford, June 2011.
Premiered in the United States at The Flea Theater in New York City, August 2012.

Theatermania.com Review  /  Cherwell.org Review (PDF file)  /  Kickstarter site  /  Script excerpt  /  Trailer

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Cezanne

To Hold an Apple

By A.S. Zelman-Doring

Three master improvisers meet to resolve a conflict that threatens to consume their friendship: a fierce impromptu struggle ensues as they enact an encounter between painter Paul Cézanne, his childhood friend Emile Zola, and the young poet Rainer Maria Rilke.

Inspired by Rilke’s ‘Letters on Cezanne’, and Zola’s ‘The Masterpiece’, this poetic homage to three great artists’ work explores the nature of improvisation through a rapturous portrayal of the tormented masters. Dramatic tension and irony acquire new meaning with the transformation, before the audience’s eyes, of actor into character. Moments of comedy mingle with tragic truths as the performers probe the limits of theatrical immersion. In this dynamic world of shifting identities, obsessions and fears, we are forced to ask: how much of this is truly an act?

Selected by academy award winning playwright and screenwriter Christopher Hampton to be performed in Oxford’s New Writing Festival, March 2011.
Performed in New York at 59E59’s East to Edinburgh festival, July 2011.
Performed at the Edinburgh Fringe Festival, August 2011.

Script excerpt  /  Review 1  /  Review 2  /  Review 3

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WITH EYES, WITH SHOES, WITH FURY,
WITH FORGETFULNESS

By Jeffrey Landman & A.S. Zelman-Doring

A new play about drug-wars in Mexico, the Holocaust, and one young man’s quixotic dream of change. It features powerful singing, a play within the play, and an unusual love story.

Coming soon in the 2012 season!

Script excerpt

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Set-of-Light

The Light in the Dust

By A.S. Zelman-Doring

In a cramped Brooklyn apartment, an aging Russian Poet, her conflicted son, and her British husband struggle to reconcile their thwarted desires. Arguing over Peak-oil, Byzantium, and Chekhov, they find a mote of hope in long forgotten dreams.

First performed at the Providence Hillel, April 2008

Script excerpt  /  Review

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